Understanding the New York Mayor's Style Statement: The Garment He Wears Tells Us About Contemporary Masculinity and a Changing Society.
Coming of age in London during the noughties, I was always surrounded by suits. They adorned businessmen rushing through the financial district. They were worn by fathers in Hyde Park, kicking footballs in the golden light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of gravitas, signaling authority and professionalism—qualities I was expected to aspire to to become a "adult". However, until lately, people my age appeared to wear them less and less, and they had largely vanished from my mind.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony dressed in a subdued black overcoat, crisp white shirt, and a notable silk tie. Propelled by an innovative campaign, he captured the world's imagination like no other recent contender for city hall. Yet whether he was celebrating in a music venue or appearing at a film premiere, one thing remained mostly unchanged: he was almost always in a suit. Relaxed in fit, contemporary with unstructured lines, yet traditional, his is a quintessentially professional millennial suit—well, as common as it can be for a cohort that rarely chooses to wear one.
"This garment is in this weird place," notes men's fashion writer Derek Guy. "It's been dying a slow death since the end of the Second World War," with the real dip coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the strictest settings: weddings, funerals, to some extent, legal proceedings," Guy states. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a custom that has long ceded from daily life." Numerous politicians "don this attire to say: 'I am a politician, you can have faith in me. You should vote for me. I have legitimacy.'" But while the suit has historically conveyed this, today it performs authority in the hope of winning public confidence. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts manliness, authority and even closeness to power.
Guy's words stayed with me. On the rare occasions I need a suit—for a ceremony or black-tie event—I retrieve the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel refined and high-end, but its tailored fit now feels outdated. I imagine this feeling will be only too recognizable for numerous people in the global community whose parents come from other places, particularly global south countries.
It's no surprise, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can therefore define an era—and feel quickly outdated. Take now: looser-fitting suits, echoing Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something destined to be out of fashion within a few seasons. Yet the appeal, at least in some quarters, persists: recently, major retailers report tailoring sales rising more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something special."
The Politics of a Mid-Market Suit
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "He is precisely a product of his background," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." To that end, his mid-level suit will appeal to the demographic most likely to support him: people in their 30s and 40s, college graduates earning professional incomes, often discontented by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits arguably don't contradict his stated policies—such as a rent freeze, constructing affordable homes, and free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a Brioni person," observes Guy. "He's extremely wealthy and was raised in that property development world. A status symbol fits naturally with that tycoon class, just as more accessible brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is long and storied: from a former president's "controversial" tan suit to other world leaders and their notably polished, custom-fit appearance. As one UK leader learned, the suit doesn't just dress the politician; it has the power to characterize them.
Performance of Banality and Protective Armor
Perhaps the point is what one academic calls the "performance of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's specific selection taps into a studied understatement, not too casual nor too flashy—"conforming to norms" in an unobtrusive suit—to help him connect with as many voters as possible. However, some think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't neutral; scholars have long pointed out that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, perhaps especially to those who might doubt it.
This kind of sartorial "changing styles" is hardly a new phenomenon. Indeed iconic figures once wore three-piece suits during their formative years. Currently, certain world leaders have started swapping their typical military wear for a dark formal outfit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the tension between belonging and otherness is apparent."
The attire Mamdani chooses is deeply symbolic. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under pressure to meet what many American voters expect as a marker of leadership," says one author, while simultaneously needing to navigate carefully by "avoiding the appearance of an establishment figure betraying his non-mainstream roots and values."
Yet there is an acute awareness of the different rules applied to suit-wearers and what is interpreted from it. "That may come in part from Mamdani being a younger leader, able to assume different identities to fit the situation, but it may also be part of his diverse background, where code-switching between cultures, customs and attire is typical," commentators note. "Some individuals can go unremarked," but when others "attempt to gain the power that suits represent," they must carefully navigate the expectations associated with them.
In every seam of Mamdani's official image, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the discomfort of trying to fit into something not designed with me in mind, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, appearance is never neutral.